Bentuk Dan Fungsi Sanggar Pamujan Bangunan Pertapaan Raja Keraton Gungung Kawi Kabupaten Malang
Abstract
This study aims to analyze the structure and function of the Pamujan Palace building, Keraton Gunung Kawi, Malang Regency. The object of this research is the form and function of the Sanggar Pamujan building, the tallest building in the Gunung Kawi Palace. The theory used to analyze is the theory of structuralism. Structuralism theory is a theory that studies and understands the subconscious mind of humans living their lives with myths to find out the relationship and function with cultural structures. This research method uses descriptive qualitative which describes and interprets the meaning of the data that has been collected and then studied and understood so as to obtain general and comprehensive conclusions. The data are in the form of interview words from the caretaker and supporting documentation data. The collected data is then analyzed, interpreted. The result is a triangular mountain which means a place that is considered sacred from the realm of life to death. The two statues in the form of a sembrani horse mean a vehicle to heaven. The three square shapes of the building mean that the five pancer sedulur papat are the four corners of the winds with the elements of water, fire, wind, and earth to protect from negative things. Its functions are, Chess boarding four levels of human life in the phase of leaving the world, Tri Hita Karana the concept of connecting with God for happiness and peace, and Astanga Yoga a way of connecting with God through meditation on physical and spiritual control with God.
Keywords
Full Text:
PDF (Bahasa Indonesia)References
Akbar, Yori. 2021. Latar Belakang Penetapan Sīma Bagi Pertapaan Pada Masa Pemerintahan Airlangga (1019-1043 M). Kindai Etam. Vol. 7 No. 1 (1-16).
Andiyan. 2021. Kajian Arsitektur Pada Massa Bangunan Masjid Cipaganti. Jurnal Ilmiah Universitas Muhammadiyah Buton. Vol. 7(2): 189-199.
Athaya, Puri. 2021. Implementation Of Traditional Balinese Architecture Concept In Maya Building Sanur, Bali (DCM). Jurnal RISA (Riset Arsitektur), Vol. 5, No. 2, (117 – 133).
Delfina, Andriani. 2020. Analisis Makna dan Bentuk Busana Adat Daha dan Truna Desa Bungaya Karangasem. Jurnal Seni Rupa dan Desain,Vol.23, No. 3 (129-135).
Edung, Tardi. 2019. Menelaah Pembagian Profesi Catur Warna ditinjau dari Implementasi Ajaran Catur Asrama. Junal Penerangan Agama Hindu, Vol. 17 No. 1 (1-18).
Fachrina, Adzani. 2021. Pentingnya Kesesuaian Visual Karakter Tokoh dalam Film Animasi “My Little Pony: The Movie”. Jurnal Penelitian dan Karya Ilmiah Universitas Tri Sakti. Vol. 6, No. 1, (68 – 84).
Harsojo. 1988. Pengantar Antropologi. Bandung: Bina Cipta.
Hartini, Tien. 2021. Penerapan Arsitektur Metafora Intangible pada Rancangan Basajan Expositie Centrumdi Kota Baru Parahyangan. ITENAS. Vol 1, No. 1 (1-11).
Holt, Claire, (1967), Art in Indonesia, Cornel University Press, New York
Indah, Anidya. 2020. Makna Simbolik Sesajen Sedulur Papat Lima Pancer Ing Dhusun Kedungwungkal Kecamatan Karangrayung Kabupaten Grobogan (Studi Kasus Keluarga Cipto Tukiman-Gami). Kawruh: Journal of Language Education, Literature, and Local Culture, Vol. 2., No. 2, (139-144).
Jamaludin (2011), Makna Simbolik Estetika Sunda: Kajian Wadah Makanan Pokok di Masyarakat Baduy, disertasi, ITB, 2011.
Jamaludin. 2021. Boboko sebagai Simbol Kesempurnaan: Memahami Makna Bentuk Dasar Dalam Budaya Sunda. Lopian: Jurnal Pengetahuan Lokal, Vol. 1 No. 1 (76-83).
Kriyantono, Rachmat. 2007. Teknik Praktis Riset Komunikasi. Jakarta, Kencana
Levi Strauss, C. 1963. Structural Anthropology II. New York. Basic Book.
Lilik. 2019. Esensi Tri Hita Karana Perspektif Pendidikan Agama Hindu. Jurnal Bawi Ayah. Vol. 10, No. 2, (60-80).
Madja, Ketut. 2017. Fungsi Astangga Yoga Patanjali (Perspektif Pendidikan Agama Hindu). Jurnal Pendidikan Agama IHDN Denpasar, Vol. 4, No. 1 (22-32)
Munandar, Agus Aris. 1993. Gunung Penanggungan sebagai Tempat Kegiatan Kaum Rsi. Depok: Universitas Indonesia.
Nindya, Nabila. 2021. Mitos dan Semiotika Legenda Telaga Ngebel (Tradisi Larungan di Kecamatan Ngebel Kabupaten Ponorogo). Klitika: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia. Vol. 3., No.2, (66-74).
Sidhunata 2008 Tjap Djaran Katoeranggan, Yogyakarta: Bentara Budaya.
Snodgrass, Adrian (1985), The Symbolism of Stupa, Cornell South Asia Program.
Tangdisosang, Safry. 2022. Sistem Informasi Pendakian Gunung Jawa Timur Berbasis Web Menggunakan Framework Codeigniter. JIKO (Jurnal Informatika dan Komputer) Vol. 5, No. 1 (7-11).
Tri Yatno. 2020. Candi Borobudur Sebagai Fenomena Sakral Profan Agama dan Pariwisata Perspektif Strukturalisme Levi Strauss. Jurnal Pariwisata dan Budaya Vol. 1 No. 1 (1-14).
DOI: https://doi.org/10.30998/vh.v5i3.6584
Refbacks
Copyright (c) 2023 Jodi Setiawan

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Sekretariat Pengelola:
Program Studi Desain Komunikasi Visual
Fakultas Bahasa dan Seni
Universitas Indraprasta PGRI
Alamat : Kampus A Unindra, Gedung 1 lantai 2.
Jl. Nangka No. 58 C (TB. Simatupang), Kel. Tanjung Barat, Kec. Jagakarsa, Jakarta Selatan 12530
Telp. (021) 7818718 – 78835283 Fax. (021) 29121071
Visual Heritage: Jurnal Kreasi Seni dan Budaya is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.